The expression of ancient architectural vocabulary

The ancient architecture is an important part of the urban landscape, reflecting the cultural and historical atmosphere of a city. However, due to the special nature of ancient buildings, lighting design not only to convey the ancient architectural language and cultural charm of their own, but also pay attention to the protection of the building. So, China's ancient architectural lighting design which lighting techniques? What are the special requirements for lighting design and lighting products?

Lighting design how to show the charm of ancient architecture

Exquisite gardens in Suzhou, the ancient Hakkas, towering temples, magnificent ancient city of the desert plateau, the roof, the unique brick tiles, exquisite relief, even traces of the years with dialysis can still classical unique flavor and rich in ancient buildings Chinese oriental culture connotation. The ancient building carries a city or even a dynastic history, embodies rich cultural heritage, and modern lighting designers by combining light art, vitality of ancient building new, better show features and contour building in the night.

Different from modern architecture, as the historical and cultural heritage of the ancient building is a non renewable resources, in the lighting design should be avoided due to the damage caused by lighting. This is the lighting designer put forward higher requirements, then how to use the lighting design techniques to better demonstrate the unique characteristics of ancient architecture?

To show the overall light perception

From the "face" to show the characteristics of ancient architecture, lighting designers in the ancient architectural lighting project is the main use of the expression.

Shanghai Zen shadow Lighting Design Engineering Co. Ltd. design director Ni Zhen said, for the new antique buildings, usually see the light but not light, because it is the antique building, lighting will try to combine with antique, antique buildings, lighting is not exposed. Personal recommendations do not have to show the details of the building, the performance of the building should be large, rather than what is now called 'every column will fight, every line will be hooked'. Because there are too many China architectural details in a richly ornamented building, if all of them are carefully illuminated lamps to hide all, we only need to show to the building itself volume. "

"Through the different intensity of light, the light and shade contrast, so that it naturally at night to produce a 'three-dimensional sense', and then create the overall atmosphere of the night. "Yuan Zongnan lighting design firm design director Yuan Zongnan also highlighted in the" face "show.

The persistence and compromise of the ancient architecture lighting "see the light and not light"

Around the building lighting, the topic is always controversial. With this stage lighting more and more attached to the lighting in the building, the cultural symbol more and more generally, building good lighting effects not only in mining building itself historical and cultural connotation, more sporadic City, the surrounding countryside culture gene. On the other hand, the architectural lighting design as the interpretation of the architectural night, the same can not be separated from the building itself exists.

It is because carrying so much meaning, architectural lighting, especially the expression of ancient architectural lighting techniques have also been a lot of controversy. See the light but not light as the five words most frequently mentioned proverbs, recently re interpreted, whether regarded as the red line must be complied with, or even the only important consideration standard, conformity.

"Light" and "light" of modern architecture and ancient architecture"

"Can be exaggerated, but can not be changed," Lu Zhang believes that.

In modern architecture, many architects and lighting designers will dispute in a light arrangement, but these disputes can often be in the early stage of architectural design to communication to resolve, combined with the scheme of building structure and lighting effects to provide more room for the latter part of the match, on the other hand, through careful treatment, floor lamp, lamp and so on. These dominant lamps can be used as a supplementary lighting and building itself together skillfully. See light and see the light is not contradictory.

Compared with modern architecture, ancient architecture structure is more complicated, the ancient architectural lighting is the kernel of protection and inheritance, the protection of the building itself, the cultural heritage of ancient buildings, from these two methods are considered to be defective. See the light does not reflect the more obvious.

The special requirements of design methods and lamps for lighting of ancient buildings

Because of its unique and non renewable nature, ancient architecture has become the focus of cultural relics protection. It is precisely because of this feature, the ancient architectural lighting, lighting design methods as well as the lamps themselves, have put forward more stringent requirements.

The director of the The China Academy of Art Institute of architectural design and landscape lighting, as Zhu Jianxiu said, in ancient architecture, every piece of wood is a legend, each tree has a memory, each brick has precipitation, have meaning to each couplet, each plaque has prayers, thinking it through time long charm. We have a feeling of awe and admiration. Every ancient building is a vast treasure in the profound Chinese civilization, our national culture is the most important part, its unique and non renewable, are demanding of lighting lamps, people should be cautious.

Ancient architectural lighting design principles

"See the light is not light" is the most commonly used lighting design techniques, and the ancient architectural lighting is the most typical representative of this concept. Different from the traditional culture is the doctrine of Confucius and Mencius, Chinese in aesthetic concept, always with Taoist inaction is more close to the idea embodied in the aesthetic aspects, including ancient architecture lighting. Modern people to do the lighting of ancient buildings, we must implement this concept, so that the ancient buildings to show a fresh attitude.